Team Jacob, hold on to your sleeping bags.

Chris Weitz, who directed New Moon, the second installment in the Twilight series, says he has read the script for this summer’s third installment, Eclipse – and that one scene in particular is a scorcher.

“I’m looking forward to the sleeping bag scene, I gotta say,” Weitz tells PEOPLE. “That’s going to be very steamy.”

In Eclipse’s fan-favorite “tent scene,” – spoiler alert! – a freezing Bella, who is on the run from evil vamp Victoria, gets a warm-up from werewolf Jacob when he squeezes into her sleeping bag – while a jealous Edward looks on. The movie will open June 30.

** Thank you Esther from People! **

Read more HERE.

IESB: If length had been of no concern for you, is there anything from the book or the script that you wish you could have included?

Chris: Not really. I think the movie could have still been longer and fit in under the wire of how many screenings a day that you’re supposed to have. But, there feels like a natural length and flow to every movie, and this one just felt right, in terms of the speed of the storytelling. There is another version that people can see eventually, in which every seen is extended and no bit of dialogue from the script is missed out, and I think that that could be very satisfying for the very hardcore fan, but this is pretty much how I planned it out to be.

IESB: Looking back on the process of making New Moon, from pre-production to the finalization of the DVD, what will you remember most about the experience? Was there anything that you learned about directing or filmmaking that you’ll carry with you to future projects?

Chris: What I learned was the power of a devoted audience, in supporting the filmmaker’s efforts. I felt incredibly supported by the fans throughout the process. And then, to see their enjoyment and anticipation was such a visceral experience that you don’t usually get to have on a memory. What I learned, as a director, was that very early on I promised myself and the actors that I would never rush them along or expect them to do something, just because it was a movie and we had a schedule to meet, and that we could always talk things through, no matter what. When I worked with my brother, I was probably the guy who was less likely to talk with the actors, and this was a full commitment to always engaging with them, and that’s something I’ll always take with me.

IESB: With the reception for New Moon being so overwhelming and favorable for the final outcome of the film, would you consider coming back to helm the last film, if that were to present itself, or have you moved on from the Twilight Saga?

Chris: I wouldn’t say it’s so much that I’ve moved on. It’s just a very daunting prospect for someone with a young family to imagine taking on what I think will probably be an 80-day shoot. It may have moved on from me. I think the best set-up for this series of films may be that there’s a new filmmaker for each one.

“One of the most entertaining aspects of the new “Twilight Saga: New Moon” DVD and Blu-ray is the audio commentary from director Chris Weitz and his editor Peter Lambert.

During their long and funny conversation, Weitz makes a humbling revelation about one of his few regrets in the movie: the infamous moment where Aro (Michael Sheen) looks into Alice Cullen’s mind (Ashley Greene) and see the future fate of our hero Bella Swan (Kristen Stewart). What was meant as a dramatic reveal that Bella would become a vampire, and thus satisfy Aro’s wishes, drew unintentional laughter as audiences observed Bella and Edward Cullen (Robert Pattinson) seemingly skipping through the forest in slow motion.

Speaking to Weitz earlier this week, the director laughed about the moment and admitted that he discovered the mistake a bit too late.

“I think it could have been less than an Arcadian fairy tale running through the foresty movement and more of an abstract at Kristen flash on her face,” Weitz says of what he would have changed. “That would have avoided laughter, which wasn’t only heard at the premiere where there are cynics and jaded Hollywood types, but the most packed fan screenings.”

1.) How nerve-racking was it to know you had to relocate several location for New Moon?

A.) It was really nerve-racking because I thought people would notice and be upset, it was a puzzle to get it just right. The outside of the school is all CGI, we built the stairway for the school and took stills. In the Cullen’s house I also tried to show different rooms in the house to add to the feeling of the house. When Taylor was traveling during Twilight a fan gave him a hand-carved Native American ornament. We used that ornament in Jacob’s room in New Moon.

2.) I know Edward’s car is now a dark silver, but was there any reason for the change?

A.) Availability. Volvo wanted to introduce a new car into the series, instead of the older model. So they provided a newer model, brown Volvo. Immediately we knew it had to be repainted, and chose a dark, non-shiny, black colour. It added more to the first Edward scene in the movie, the feeling is upbeat but the colour of the vehicle adds to the danger lurking.

3.) How did you decide to shoot the scene where the months are passing by, considering the books only name the months that pass?

A.) We originally thought we could use a blank screen with names of the months passing but felt that it was best to portray depression visually. CGI was used and the windows were covered by green screen. We used a robotic camera for revolvement to mimic the original hand camera as much as possible. I’m not sure if you noticed but with each revolvement the room changes, there are less pictures of her friends and the room gets more sparse.

4.) I really enjoyed the added scene with Victoria swimming towards Bella. (The book hints to the orange colour the water was reflecting, in a later revelation by Bella.) How did this scene come to be?

A.) Well, the orange coloured water wouldn’t have looked right in the scene so we put her in the water visibly. That scene was difficult because we wanted to film her swimming towards Bella but it had to be at a distance. If it wasn’t at a distance fans would wonder why Victoria didn’t just get her in that short scene, but at the same time it had to feel threatening. That was all shot in Vancouver in a swimming pool, we had the actors underwater with four or five frog men with air tubes for security purposes. We also had green screens in the water surrounding the actors so we could CGI in all the particals in the water. Theres actually a program to add in all of the floating debris and colour differences in the water after filming. Kristen had a cold at the time and was scared of drowning. We had to force her to stay in the water. [laughter] But Rob was more comfortable in the water, hes had to shoot underwater scenes in the past. [Harry Potter]

New Moon director Chris Weitz spills the beans on a few things he hid in the film – exclusively in this week’s Entertainment Weekly. Some clues include hidden wolves, vampire elevator music, an element to Bella’s baggage, speed tricks, the answer to what Jacob says to Bella before he almost kisses her!

I also read that you had instructed Kristen to do that scene one way and then got a wet suit on and got into the water yourself and realized it was an impossible way to tackle it.

Rob had done this underwater work in one of the Harry Potter movies, so he was relatively comfortable doing things at the bottom of a pool. In order to get this shot right, we needed to get a top shot of Kristen as Bella sinking down in the ocean. The best way to do that is to have Kristen at the bottom of a 12-foot pool weighted down, just sort of floating there immobile. And Kristen was already expressing a bit of concern about deep water, and I told her, “12 feet isn’t that deep!” [Laughs] I decided to go down there in a wet suit weighted down and I started to panic.

I thought, “Holy crap, this isn’t fun at all!” and realized Rob actually had some guts and that the rest of us should really stay up towards the top of the pool. We adjusted it so we could make our shot sideways and it looks just the same as a top shot. And Kristen had a cold that day, so that was the last thing I was going to do — put someone with a cold at the bottom of a 12-foot pool with weights in their pockets. That didn’t seem like a wise move.