Seriously can NOT wait for the tent scene!  xD

** Thanks Kristin! **

Hope Bella Got a Gift Receipt …
In one narrative device Melissa is particularly proud of, Jacob gives Bella a Quileute trinket meant to capture bad dreams — although, judging by all those late-night shots of Kristen Stewart in tears, it doesn’t work very well. “One of my favorite things is the dream-catcher that Jacob gives Bella,” the screenwriter said. “It’s the first time that we see Jacob, and I wanted to establish his and Bella’s relationship, his sort-of crush. [The gift establishes] her affection for him and Edward’s jealousy of him. So I had the idea that he brought her a little birthday gift and came up with the dream-catcher, which would be true to his culture but also to the theme of the movie; there’s a lot of dreams in this movie. That, I thought, played well.”

Getting the Cullen Kicked Out of Him …
In Meyer’s novel, the Volturi scenes are a moody medley of tension, fear and careful wordplay. In the movie, however, Felix lays the smack-down on Edward as he tries to protect Bella. Like many scenes, Rosenberg said she needed to up the visuals to take the place of lost narrative nuances. “In the book, at the very end, the final climatic scene is Edward and Bella and Alice going to the Volturi and the potential that they might not walk out of there,” she said. “It is very fraught with tension, but the tension is expressed through dialogue, and I wanted to heighten that. I wanted to have that conflict be external. So I pushed it into an all-out-battle, and Chris [Weitz] and the stunt people, along with ['X-Men' star] Daniel Cudmore who plays Felix, did this great action sequence at the end that’s just really fantastic.”

Read the whole thing HERE!

Fans want to know: Did the proposal scene make it into New Moon?

The proposal comes into the end of New Moon, and that is the first proposal. Absolutely in Eclipse, the proposal when they’re on the bed, yes — to me, that was a quintessential scene from the book. When Edward gets on his knees, with his mother’s ring, and she says yes — that was one of the most romantic scenes that Stephenie wrote in all four books.

Obviously by the fourth book in The Twilight Saga, there will be subjects and events that do seem unsuitable for the younger side of the Twilight audience. How would you tackle that challenge?

If I were to be writing that, I think there are many things that probably are inappropriate, and there are probably other things that can be implied. I don’t think that it will be a problem.

ET Online has an interview with Melissa Rosenberg where she talks about writing New Moon and Eclipse. She also comments on the Rachelle controversy.

ET: What can you tell us about ‘New Moon’ and ‘Eclipse’?

Melissa Rosenberg: It becomes bigger in scope. The first film was really a small romance in a way. There was the battle with James (Cam Gigandet) at the end. That was as big as it got. With ‘New Moon,’ we have the werewolf clan, we have the Vulturi — and in ‘Eclipse,’ there is an epic battle, so with every book, with every episode of the movie, it gets grander in scope, which is fun to write. What was great about that, too, is with the small story and the characters … to be able to grow with it and track it through, it has really been a great pleasure.

ET: What do you think of the recasting of Rachelle Lefevre?

Melissa Rosenberg: I love Rachelle, but Bryce Dallas Howard? It was a shame, but I think Rachelle will go on to do brilliant things. I just love her. I am sure Bryce will be great.

Read more HERE!